BLOOD COURT Watch the teaser

A Supernatural Horror Feature · In Development

A young woman digs into her boyfriend’s murder at an elite tennis club — and discovers her family has been running an Aztec death cult beneath it for a century, grooming her to be its next queen.

eztli · yollotl · tonatiuh

Case — Open Subject — homicide, club grounds Status — unsolved Recovered from — below the baseline

Above ground, the lines are immaculate.
Below it, something has been kept fed for a hundred years.

The whites are pressed. The members do not raise their voices. Nothing on the grounds is ever out of place — and that is the first thing that should frighten you.

When the boy she loves turns up dead behind the club she was raised inside, she starts pulling threads. Every one of them runs downward: past the clay, past the baseline, into a chamber older than the membership rolls, where a stone bowl waits and a god refuses to set.

Her family did not lose a son that night. They were setting a place at the altar. Hers.

An investigation wall of missing-persons posters connected by red string.

Evidence wall · recovered · do not remove

An empty tennis court under an overcast sky beside a dark clubhouse.

I · The Surface

Above ground, the lines are immaculate.

A young woman in tennis whites stands alone at the center of a court, touching a jade bracelet.

II · The Heir

She was raised inside them. Loved. Watched.

A candlelit stone chamber with hooded figures around an altar and a stone bowl.

III · The Descent

Every thread she pulled ran downward.

A masked attendant in jade and gold raises a stone offering bowl in a candlelit crypt.

IV · The Offering

To an altar her family has tended for a century.

A single bead of blood rests on the edge of an obsidian blade in darkness.

V · The Price

Blood. The heart. The sun. In that order.

The Cult Beneath the Club

One hundred years of devotion

in xochitl in cuicatl
I

The Club Is the Cover

The cult did not move into the club. The club was built over it — clay and netting and good manners poured across an older floor, so the city would never hear what happens there each year.

teotl · the sacred
II

The Sun That Hungers

Huitzilopochtli does not rise on its own. It is lifted, every turning of the year, on what is offered. It has not gone hungry in a hundred years, and it does not intend to start.

eztli · yollotl · tonatiuh
III

The Next Queen

Every century needs an heir who will not run when she learns the truth. So they raised one inside the lines, taught her the grip and the silence, and let her believe she was free.

miquiztli · what is owed

Those Who Keep the Court

The hierarchy below

Kracell, in tennis whites, on the court.

The Heir · The Next Queen

KRACELL

Raised inside the lines, loved by the people grooming her for the altar. She is digging up the one grave they need her to leave buried — her own.

A clawed, inhuman hand reaching over a candle flame in a stone crypt.

Huitzilopochtli · Never Fully Seen

THE SUN DEMON

Fed, obeyed, and only ever glimpsed — a hand at the edge of the dark, a heat against the back of the neck a moment before the blade.

A figure in a knit ski mask stands motionless at a chain-link fence at night.

Members of the Club

THE WORSHIPERS

Masked men along the perimeter, steel in their boots, always present and always counting. They were there before the murder. They will be there after.

The clay court and clubhouse seen through the club's iron gates.
The gates
The clubhouse, courts, fountain, and grounds under an overcast sky.
The grounds
The clubhouse entrance beside the Sneer Racquet Club sign.
The entrance
Sneer Racquet Club · Seattle

She came looking for a killer.
She found a throne.

A Son of a Botanist Productions Film

Story by Marc Sternberg

Directed by Tierra “TT” Frost
Produced by Marc Sternberg · Screenplay by Saul Espinoza
Filmed in Seattle · SAG-AFTRA

BLOOD · COURT

Watch the teaser View teaser shot deck